This is made a little more practical by a magical sword that points light in the general direction of the next target. Once the hunt begins, players must navigate rocky cliffs, rolling deserts, and dense forests to find a colossi in every corner of the land. Even the game’s perplexing and interpretive conclusion doesn’t answer much, but there remains a lingering respect for a story that allows us to fill in some of its blanks without leaving the impression of missing out on something crucial. So begins a tale that gives us nothing but the most rudimentary motivations, but is made that much more intriguing by its lack of explanation. The being agrees to restore the woman if the man destroys all the idols in the temple by killing their real-life colossal counterparts spread around the region. The story begins, as it has before, with a mysterious young man traveling to the shrine to persuade the disembodied being residing within it to bring his (presumed) love-interest back to life. In an ancient and forbidden land sits a shrine that houses the idols of 16 mythical beasts. If Shadow of the Colossus is as timeless as it previously seemed, a full-scale revitalization of the game’s visuals should be all it needs to make me regret missing out on the colossi-killing for so many years. It wasn’t disinterest so much as distraction that caused me to forego my first attempt, but the PS4 remake offers the perfect opportunity to finish what I started. My history with Shadow of the Colossus is perhaps more limited than most, having only taken on a handful of colossi in the PS3 re-release. For the PS4’s go-around, the game has been remade from the ground up, finally giving the unbridled scope of the original experience room to flex its best qualities. Every PlayStation console since the PS2 has now featured an edition of Shadow of the Colossus, Team Ico’s iconic masterpiece that changed how gamers thought of boss fights.
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